Big Ticket, Drama
When a middle-aged Canadian woman, who is also a hidden Jew, joins the British Special Operations Executive during WWII as a spy in occupied France, her male colleague is skeptical she’ll make a difference because she’s a woman – and an ‘old’ one at that. However, she defies expectations and challenges the chauvinism and ageism of the times by using her invisibility as an asset, and using a classically female craft to pass coded intelligence about the Germans to the Allies: knitting.
Produced by writer-producers Kirk Dunn and Claire Ross Dunn’s A Yarn or Two Arts Collective, Spycraft was born out of the research the two did for their show, The Knitting Pilgrim, about Kirk’s 15-year journey knitting three giant panels, designed in the style of stained-glass windows, which look at the relationship amongst the Abrahamic faiths. The writers discovered that women used knitting during WWII to spy on the Nazis: either by eavesdropping on them in plain sight, because no one felt threatened by female knitters, or by knitting code into ordinary garments to get the message out undetected.
Produced by writer-producers Kirk Dunn and Claire Ross Dunn’s A Yarn or Two Arts Collective, Spycraft was born out of the research the two did for their show, The Knitting Pilgrim, about Kirk’s 15-year journey knitting three giant panels, designed in the style of stained-glass windows, which look at the relationship amongst the Abrahamic faiths. The writers discovered that women used knitting during WWII to spy on the Nazis: either by eavesdropping on them in plain sight, because no one felt threatened by female knitters, or by knitting code into ordinary garments to get the message out undetected.
